The Art World’s Real Vulnerability Isn’t Theft. It’s the Move.

Kumar Sokka of Acre Security asserts that the primary vulnerability for valuable art is not theft, but the movement between museums and galleries. Risks peak during gaps in chain of custody and access control. Simultaneously, Missy Mastel argues that the world's most significant crisis is a lack of trust rather than climate change. She suggests that resilience plans incorrectly assume funding for future solutions, a factor that cannot be taken for granted in current global planning.